Recent times have found me somewhat busier than usual, so there may be an influx of posts appearing soon. But that’s OK because they’re all supreme. Especially this identity design system for ISEM, a national and international high-quality rigid boxes Italian company by Mattia Castiglioni.
I was rather delighted to chance upon this fine piece of retro, minimalist, typographic branding for GYÁR Post Production by Budapest-based studio Official Classic.
A continuation from my original post, blurry brands aims to explore how the shape of a logo design aids brand recognition.
I’ve had this particular brand “game” in my head for a little while now, which was then spurred into action after reading Graham Smith’s (aka imjustcreative) excellent post on The Benefits of Starting Logo & Brand Side Projects.
I’m really rather digging this identity design by Australia-based design studio Neografik.
Three Polish designers from Young & Rubicam—Łukasz Słotwiński, Bartek Walczuk and Paweł Marcinkowski—were recently commissioned by WestL Bank Poland to create a brand new banking institution.
I’m digging this identity design and print advertising campaign for the Krakow National Museum developed by the guys at Polish studio Wallstreet – Different Creature.
