I’ve touched briefly before on some typefaces that I consider to be particularly good for on-screen reading. But now I wish to delve further into this realm of typography and consider: What makes a typeface good for screens and UI design in particular?
I have been eagerly awaiting the release of this typeface for quite some time now, ever since the studio behind it—MashCreative—posted a rebranding exercise they mocked up for Royal Mail.
Often, I just like seeing words in words. So, here’s another wallpaper idea I’ve had that I’ve been thinking about in my spare time. A revolution of love.
Came across this stunning Annual Report design via Khoi Vinh. It’s for the Global Footprint Network and was designed by Bob Dinetz.
I am seriously loving this Vignelli Forever Poster series by South African graphic designer Anthony Neil Dart, featuring famous quotes from world-renowned Italian graphic designer Massimo Vignelli.
I recently came across the work of Rejane Dal Bello courtesy of SwissLegacy. Ever since, I think I’ve fallen in love.
Here’s another beauty for fans of grotesque typefaces, such as Suisse BP Int’l.
There are two beautiful things you must check out today. First, is the launch of B+P’s SwissTypefaces, a type foundry dedicated to the design and production of Swiss-style typefaces. As a result, I am already extremely interested in them.
So, after offering a sneak peek on Forrst and receiving rather a lot of positive reactions to this, I have decided to get my firm, manly butt into action and finalise this wallpaper pack.
As you may know, I am slightly obsessed with typography. I’m always on the lookout for new typefaces, experimenting with typographical layouts and following the development certain typefaces that catch my eye.